For those of you just tuning in – or dipping in – to this blog, you might be interested to learn about the little puppets that have moved into my head as I navigate a cross-cultural marriage, but let me back up a bit…
Flannery O’Connor is credited with saying “I write because I don’t know what I think until I read what I say,” and this is true for me when it comes to figuring out my cross-cultural relationship…
So, this blog documents the ongoing road trip through the cross-cultural marriage of one American woman married to one Turkish man. Just one half of one Turkish-American couple, making sense of what goes on in day-to-day life.
Part of acculturating to my own cross-cultural relationship included getting in touch with the Karagöz shadow puppets that took residence in the back seat of my head (and the car) both Stateside – and in Türkiye.
Karagöz Oyunları, or the particularly Turkish art form of shadow puppetry, is famous for heightening stereotypes and truths about the nature of people, places and things in the way that only puppets can.
Depending on the situation, my Karagöz puppets take on the roles of the yea-sayer, the naysayer, the devil, the angel, the manners expert, the feminist, the religious person, the sloppy drunk and many more…let’s see how they do as relationship coaches!
What better country to use as the foil for a discussion on cross-cultural relationships than Turkey, famous for connecting east and west despite the at-times trite-ness of the metaphor. The Karagöz tradition of heightening stereotypes first noted during Ottoman times is, I hope, an interesting conceit for writing about one couple’s own road trips through Turkey on their quest for the marriage model that fits them – their own merger of east and west, similarities and differences abounding.
This blog is offered in semi-chronological order starting in 2004 and continuing in 2012 and beyond. Although this blog is written by me, it is important to me that readers know that the decision to “go public” with our stories about our cross-cultural relationship was mutual. I try to post weekly.
The major characters (so far) are listed below. I am forever indebted to them for helping me through my Turkish-American life…
Bebe Ruhi, the Goof with Dwarfism and an Ample Heart
Chorus of Little Dancing Lady Puppets
Dobra and Saf, the Siamese Twin Puppets who Love-Hate Turkey
Hacivad, the Inimitable Learned Sufi Elder Puppet
Hacıyatmaz the Roly-Poly Puppet who Always Bounces Back
Karagoz, the Oppositional Trickster Puppet
Kenne, Queen Puppet of Manners and the Maintenance of Honor and Ladylike Behavior
Khadijah, the Handmaiden Puppet Stolen from North Africa by Ottoman Slavers
Mercan Bey, the Spice Trader Puppet from the Arabian Peninsula
Perihan, the Fairy Godmother Goddess Puppet
Safiye Rakkase, the Vainglorious Dancing Girl Puppet
Tiryaki, the Narcoleptic Opium Addict Puppet
Write-a-matrix, the Academic, Whip-Cracking Dominatrix Puppet
Yehuda Rebbe, the Globalized Rabbi Wise Man Puppet
Zenne, the Nervous Nellie Like a Bowl of Rosehip Jelly Puppet
Related articles
- Approaching death in a Turkish-American relationship: Is it time to stir the irmik helvası? (slowly-by-slowly.com)
- On my writing about cross-cultural marriage (with the Karagöz puppets) (elizcameron.com)
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