Approaching death in a Turkish-American relationship: Is it time to stir the irmik helvası?


Χαλβάς Σιμιγδάλι

A bit of irmik helvası (Photo credit: sofiagk)

Surrounded by the puppets and M. on the crinkle-comfort white couch, I listened to the filtered  sound of traffic in the windy streets of Nişantaşı coming in through the slanted, modern windows that opened towards me, as opposed to just the usual up.  It was a new version of “crack open the window a bit” as far as this old-fashioned house design girl was concerned.

Having received the news that my father would be moved to hospice, and that I should consider coming home, the swirls of thoughts rendered my mind as unclear as a demagnetizezd radar instrument.  Part of my brain recognized G.’s slow motion voice about where to change the Turkish airlines ticket, but the cacophony of the puppets peppered questions got in the way.

Kenne, Queen of Manners and Ladylike Behavior took the lead, shepherdessing the cengi dancing ladies as well as a reluctant to leave her mirror Safiye Rakkase (the vainglorious dancing girl) and the like into a triangle behind her.  “M’lady,” she intoned with great seriousness and caring, but also a wee dram of pomposity, “is it time to begin stirring the irmik helvası? Or is there a different tradition you wish us to learn?” I should add here as a side note, that Irmik helvası is a rich semolina dessert that while readily available – is also traditionally served after a funeral, when the Imams pray at the home of the bereaved.

Before I could consider how to answer Kenne, Perihan Hanim, my fairy godmother puppet, swung down from on high to whisper in her ear that it was too early for irmik helvası – explaining that hospice is a place where people go at the end of life, to bring some dignity to the dying process and to bring supports for the family into place.  Red-faced and teary at the thought of suggesting irmik helvası before someone had passed away, Kenne slunk away in disgust with herself, having failed her role as a traditional lady in search of maintained honor.  I heard her in the bedroom, pulling down her puppet-sized laptop, as she commenced thrashing the keyboard to produce another new chapter on cross-cultural etiquette in non-Ottoman eras.  I am sure it will be a best-seller.

Karagöz snorted and rolled his eyes, but out of respect for me, I presume, did not jump, flip or twirl about the room, as that trickster normally does.  Nor did he engage in taunting epithets hurled this way and that.  I think he really did not know what to do with himself…as if channeling this aspect of Karagöz himself, M. turned his mouth to my ear and reminded me “you are going to have to tell me what to do and what to expect as I do not know how you deal with this end of life in your country.  I will support you however you need.”

Hacivad Bey (the learned sufi elder) and Yehuda Rebbe, (a Jewish wise man puppet) those senior statesman, nodded their approval at this utterance while Mercan Bey, the spice trader from the Arabian peninsula snuck out to the Mısır Çarşısı for a last load-up of pul biber and baharat before the long flight home to Boston.  Esma the hippie puppet just began to massage my always-aching feet with rose of Damascus oil as Tiryaki Bey, the opium addict, blew smoke in my face to hasten some sleep before the hard days to come.  It was the only way he knew how to help.

And as my mind pixellated  in grainy chunks like so many slow-Internet connection bits, I recognized the rose scent mixed with Tiryaki’s pipe smoke wafts, I let the reality sink in. This was “it,” my Dad was going to die soon. We were heading home to the United States to spend time with Dad in his last days.

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The grassy keyboard and the glass shards remaining


So submerged was I, that it wasn’t until the fiftieth glass shard ratta-tat-tattled tinkety way down into my lair below the typewriter keys and on down past the steel spines with noted curvature to the grass roots nestled just below me in the dirt there that I even stirred much.

As I stirred, the warmth of dark healthy soil furled up into my nose before I even remembered my Father’s death and the new world up there somewhere above what was now my grassy typewriter.  I didn’t want to wake up and deal with it.  Why not sleep in the clean-smelling dirt for a bit more.  But the shards made an interesting metallic “tink” on the steel spines of all of the unwritten words around me, and so I began to consider the cocoon exit.

Let me catch you up.

When I last left you, I was broken out of a box of blue that had taken my voice into a veiled smoky place with no exit.  That box was a bout of post-tenure depression probably combined with what in retrospect was likely the pre-grieving of my Father.  The box-breakers to be thanked for this gift of mercy are none other than the Karagöz puppet troupe that resides in my brain during my own cross-cultural marital road trip.    Yes, those Karagöz puppets did break me out of the blue glass box this past June, but as I unfurled myself like a sunflower growing from a green bump, I could only watch bits of images fly by as I stood up and into the  dim light, changed again one more time.

Once out of that box, the puppets paraded my çay up the bed and into my mouth.  That çay, it was strong, but that box, you see, it was strong too, even broken to bits, it held a permeable membrane around my mind.  So, yes, it broke, thanks to the puppets, but I still sat in the ruins.  At the time, there I was, back in a modern block of fancy in Istanbul, in the home of our dear friend, drinking imaginary sweet limonlu çay brought to me by Esma and the lady puppets in their usual chain gang style.

Even with that tavşan kanı çay (such as the tea I wrote about here) I felt bent and crumpled like a morning glory on the vine for weeks after a windy Nor’easter flew about the tiny streets of Provincetown.  Just imagine that morning glory in that merciless wind, whipping the humid fog about with it and exhausting me despite my almost neon plum purple blue aura.  My mind felt fuzzy and my heart felt as though it specialized in the shallow end of the pool even though it knew it wanted to express more about the interesting goings on about me.

Rumpled morning glory or human being aside, there I was amidst the large shards of that aforementioned blue box which had since fallen to the white stone floor and rattled around a bit, and as they rattled slightly, I saw some interesting things reflected in their movement…

  • Standing with M. in enraptured delight slash horror as three tiny deaf schoolboys circa age eight engaged in what can only be referred to as monkey-like behavior as they swung about on the moving parts of the old fashioned trolley, hopping off and on during and after stops – and shocking people with their pointer fingers tapped at just the right moment with a “boo” as the trolley spun by the sun-weary pedestrians.  Priceless was that ride along Istiklal Caddesi on the trolly whilst in motion from Tunel to Taksim Square.  The ride brought a deep dent of a smile to my face with the after-school shenanigans of those grey-eyed boys…
  • Walking behind two color-coordinated sisters through the Mısır Çarşısı – one in a toga-like shirt of peachy pink with a brown border as thick as her heels were high – and the other veiled in the same colors, as demure as her sister’s cleavage was not…a duality often noted by me in Istanbul
  • Riotous laughter at my attempts to communicate my ideas about the swarm-like in honey traffic while crossing to the Asian side.  I waved my hands and said to my friend who was driving, “tas gibbi,” trying to indicate that the traffic was like stone.  Little did I know that this is a term for a statuesque woman…
  • The sheer joy of sitting with the Archers of Okçular in deep inky blue night and neon yellow light by the side of a Turkish highway near Dalyan drinking a simple soup and making personal connections we had hoped would be present, but were not sure, as we had never met in person before that night…
  • Noticing the lack of pain in my arthritic feet after soaking in a sulphur spring for a time – but surely outdone by the Russian-speaking babushka submerged for so many hours that a hammam scrubber might have rendered her to wet, frothy dust…

…and while there were many more reflections, in many more shards, the shard that hit hardest of all, the memory of hearing the phone ring in the living room, and knowing that this was the beginning of my Father’s body’s end.

It’s been a tougher couple of months than I could have imagined, dear readers.  With all of my professional and personal experience around the end of life, I still was not prepared for the havoc of it all.  Slowly by slowly, though, I am once again coming out of it.  Perhaps the keyboard grass will have a run for its money, but for now, it’s time to carefully place all of the glass shards down in here with me aside a bit, so I can stretch my legs some.

Thanks to all for your support.

Posted in Family Challenges, On writing about my life with the Karagöz puppets, Visits from the Karagöz puppets | Tagged , , , , | 4 Comments

Breaking out of the glass box: The Karagöz puppets rejoice


Glass Mystery 4

Glass Mystery 4 – an image akin to my glass prison (Photo credit: cobalt123)

Lately, I’ve been immobilized inside a midnight-blue and burnt sienna glass box, with walls so thick that the voices of the puppets have been obscured.  

Those Karagöz puppets, They finally plastered a sign onto that imprisoning glass with rose of Damascus oil, such as that explained by the famous Archers of Okçular,  their glue of choice, and while I couldn’t smell that unctuous lovely stuff, I could read the sign and I knew what they were doing.  And as I peered into the dim dark of thr deep blue glass around me, akin to Mexican blown glass cups, I saw that it said:

“Dear Liz, We miss you, and furthermore, you are unintentionally allowing your work and personal situations result in blog death! Yavaş yavaş you must return! Love, Karagöz and company.”

Esma, the kind and gentle hippie puppet also posted a tiny sign written in her delicate hand, recommending rose petal tea – and a trip to the shrink.  Suffice it to say, it’s been a tough month or so.

But this morning, I awoke to the red light of a beating heart – and to a distant sound, a familiar sound that I could not place in my jet lagged, sleepy state.  I had already heard the call to prayer at circa 4:30 a.m.,  but this was a “tink, tink, tink” sound that did not fit in with the wavering voice of the Imam.  I recognized it as the sound of a glass cutter – a small instrument with a sharp wheel that I used to use in my stained glass course in the 7th grade.  It must be one massive glass cutter, I thought, for them to attempt to break through these glass walls.

Soon, the “tink, tink and tink” sound became more like a “tonk, crick, crack, crunch, crash” set of sounds and I began to hear bits and snitches of the voices I had been yearning to hear – Karagöz, Hacivad, Esma, Mercan Bey and even Kenne, The Queen of Manners and Ladylike Behavior.  As the fresh, rose-scened air filled the box in which I was imprisoned, my pen and papers began to float and swirl away from me in the vacuum-breaking air confusion that the glass breakers were creating…and all of those work worries slipped away.

Sensing my dehydration, the little chorus of dancing ladies propped up tiny glasses of sweet Rize cayı to my lips as Hacivad Bey and Mercan Bey worked on freeing my arms from the metallic shackles residing there.  I felt a hey and stiff.As my arms were released, Karagöz jumped and twisted in joy, shaking my hands back to life as he did so, jabbering and jibbering the whole way about all the troupe had done whilst I was immobilized. Some of the puppets gave up for a bit, as it turns out, opting for a vacation to their home territory of Bursa, where they inhabited the good archers of Okçular for a time, but Esma and the dancing ladies kept vigil at the glass box.

“Don’t lose your words, m’lady,” Esma whispered, “so much is going on in this great world that you need to comment on – even you can make the long journey back from the blog death puppet’s door!”

And journey back I shall, but not first without apologies to the loyal readers who have supported me so!  Keep it locked for the colors of Istanbul as experienced by the puppets, yesterday.  Gurusuruz!

Posted in Karagöz puppets in dreamland, On writing about my life with the Karagöz puppets | Tagged , , , , | 7 Comments