On the 5th day of Christmas: Meet Kenne the traditional lady in search of maintained honor


Kenne, lady of the house (from etiquette hell) - thanks to this website for this image: http://www.alaturka.info/en/culture/theatre/the-galanty-show

Today, I want to formally introduce Kenne Hanım (Mrs. Kenne, essentially, as Hanım, pronounced hah-num is an honorific), as she would not prefer to be introduced any other way but formally.  This is one uptight lady in this regard.  But, I can relate to this, there are certainly times and places for fastidious manners and etiquette.  This turns out to be a major bone of contention between me and M., who as a bohemian of the highest order, does not always feel this way.  In any case, it is and will likely be a long strange trip on the road through figuring out this element of our cross-cultural marriage – and here by culture I am referring not to Turkey vs. America – but Bohemian vs. Yankee with old fashioned values.  Kenne is front and center in Battle Etiquette between us. Sometimes, I wish she would take a long vacation.  Sometimes, I just can’t get enough of her stalwart support.

You may remember Kenne, when we first met her, complaining in a rather shrill and entitled fashion about how Khadijah had ruined her henna designs the night before a wedding…and lord knows, did she ever complain. Kenne is a very traditional, appearance-oriented woman with a myopic view of the world. There is her way, and that’s it, not even the highway. Life is all about manners, etiquette and what other people think. Kenne is obsessed with maintaining the honor of the ladies around her – and of course of her human – me.  She sets out my outfits every night before I go to sleep – she favors monochromatic coordination and this drives M. nuts as an artist interested in composition. “How about some contrast? Some textural difference? Try another scarf, perhaps?”

She was, for example, totally, utterly and completely shocked that I would be caught in my nightgown in the middle of the day in my house, when M.’s friend showed up unannounced and walked in expecting tea service. She was equally horrified and apoplectic and my use of once-horrors-once-boiled tea in that service. I don’t think she will EVER get over it and she reminds me of that all the time – horrors.

Ever since she has shown up here in my mind, she is the one that leads me to the “etiquette” book aisle in the bookstore, or searches through mt Granny‘s house to find all possible copies of any etiquette book to create a collection. Really, who has a collection of etiquette books? Well, she does. So far, she has Ms. Manners’ guide to Internet etiquette as well as her guide to, simply “eating.” She has etiquette books from Emily Post, Dr. Seuss and everyone in between. She even picked up an etiquette tome on golf, though she has not a clue about it – nor do I. The lady is obsessed with “KEEPING UP WITH THE JONESES” so to speak and is horrified at her human’s fascination with the Kardashian Klan – and their television show “Keeping up with the Kardashians” in all of its trashy and inexplicably interesting glory.  She cowers in the corner when I turn this television show on.  The rest of the puppets really like Khloe Kardashian, who despite her outlandish ways (which Karagoz applauds) feel that she has such good common sense and joie de vivre that they jump up and down when she enters the screen. But, let’s not get lost on the Kardashians.  They are a topic for another time.

Kenne was the one pulling my skirt down when I passed out in Maastricht – even though I had leggings on. She is the tut-tut sound maker, the hurumph shrugger and the tsk tsk finger wagger. I do lots wrong – and whenever M. does something “wrong” she is the one that seems to pull my marionette strings re: letting him know about it. And we thought humans ran the puppet strings – nope – in my life, it is the other way around. Kenne is especially anxious when we visit my family, and she really grabs my attention during those visits, always nagging at M. to cover his mouth when he yawns, take his elbow off the table (she and I were both raised with the saying “all joints on the table to be carved” indicating – no elbows, wrists or fingers on the table). She is one seriously uptight lady in need of a major dose of valium most of the time. If she could only take that chill pill, maybe she would enjoy life some more.

She is the perfect tea brewer, makes börek dough that is as thin as a whisp (the recipe for which is used at the famous Börek Online in Istanbul, delicious) and knows just where to get the freshest most pristine fruit in the market. She is a whiz at whipping up sahlep (a winter drink made of dried orchid roots) in the winter and swirls fresh ayran (a salty yogurt drink) in her sleep during the summer. She is the moral core of the puppet troupe – but takes it too far most of the time. She is often with Khadijah, given their mistress-worker relationship – and Khadijah is one of the only people that sees the good in her and can take her crap. After centuries of working together, I suppose it happens.  For better or worse, Kenne is here in my head.

Posted in Introducing the Karagöz puppets, On writing about my life with the Karagöz puppets, Visits from the Karagöz puppets | Tagged , , , , , , , | 33 Comments

We interrupt the Karagöz Christmas broadcast to offer thanks…


…and to announce that we have reached over 100 followers and had 10,000+ visits over the 5 months of our existence! These stats are small potatoes to some, but the Karagöz puppets (and their human) are spinning and dancing with pride.  These stats represent a goal we were aiming for when we started this venture back in July.  Now we just need to keep on bloggin’ and finish the manuscript re-draft over summer 2012 so we can shop it around for sure rejection! 🙂

Tombs of Karagöz and Hacivat in Bursa, Turkey

Image of Karagoz and Hacivad's tombs in Bursa, Turkiye via Wikipedia

I started the process of writing about what I call my “road trip through cross-cultural marriage”  in large part due to inspiration from my good friend Trisha Thomas over at www.mozarellamamma.  Mozzarella Mamma is  a fabulous blog about deadlines, diapers and la dolce vita (a.k.a. an American journalist parenting kids in Roma with an Italian husband). You should check it out.  Trisha has been scribbling notes on napkins and notepads for years – and her skills as a raconteur extraordinaire are unmatched.  She always brings down the house.

Here, the Karagoz puppets are riding in my lavender scarf - typically worn by men and women near Urfa. Those puppets were telling me that my academic writing is EVEN more dry than the land in this part of Southern Turkey, near Sogmatar where we were looking for an ancient temple to the sun and moon Gods and Goddesses but found many satellite dishes instead. They were telling me to let them help with the writing - which I eventually did.

So, my skill isn’t in bringing down the house, but I do love to write, and given that I was steeped in every imaginable fairy tale compendium as a child (far beyond the Brothers Grimm),  I love to write stories as well.  As an undergraduate student, I studied anthropology – and thus my love of the observation of culture and understanding cross-cultural conflict was born.  Although my professional writing is as dry as a bone found on a hot  summer day in the desert near the Syrian border, in, say, Sogmatar, pictured here, somehow the Karagöz puppets came to me naturally as a way to spice up my observations.

These tiny wax paper puppets in my head “embody” the at-times confusing messages racketing around the brain as they relate to the management of cross-cultural moments galore in my Turkish-American marriage.   I have a few faithful followers and readers who see some glory in this madness – so I am going to keep on going.  Doing this kind of writing has been like manna from heaven in an otherwise statistics and bureaucracy-filled world of work.  So, thanks readers for your support – but most of all thanks to M. without whom, as he loves to say, there would be no slowly-by-slowly blog.  Even though I shudder with horror at the idea of him heating up chili in the can on our stove (as he learned to do in the Turkish army and which sometimes explodes) on the nights I am teaching (along with Kenne the puppet who is focused on etiquette and appearances)  –  without M. there would certainly be less light and lightheartedness in my life.  Thanks, M. for supporting this project! Seni seviyorum!

Here, Kenne is shuddering and spluttering in angry horror at the evils of heating up one's dinner in the can in which it was packaged - M.'s specialty since his stint in the Turkish army. Oh, that's right, you can't see Kenne as she is an imaginary puppet in my head. Right.

Posted in On writing about my life with the Karagöz puppets | Tagged , , , , , , | 13 Comments

On the 4th day of Christmas: Meet Celebi, the modernist


Celebi in his favorite shades of chartreuse and sunshine yellow - ever the modern lover

Yesterday, we met Khadijah, and today, we meet the puppet man to whom she is betrothed – Celebi (the c sounds like a j, so it is “jeh-leh-bee”). Celebi is a modern man. He likes modern clothes, modern thoughts – and modern love. He used to be known for being a womanizer – but his heart has settled on Khadijah – a non-traditional choice about which he receives a significant amount of flack from family, friends and community members alike. He doesn’t care a whit. Now, that’s in my own puppet world, the puppet world in my head.

According to my main source Ermin Senyer, the traditional Celebi “is presented in a sympathetic light. He is not caricatured and ridiculed as are so many of the other characters. Usually he is a dandified young man whose love for a courtesan or a girl of good family motivates the action, and provides the plays with plots. We notice he has the ability to charm the opposite sex. Firstly, a zampara, a gallant and a elegant dandy, he is also young, rich and a spend-thrift, who assumes a careful and rather self-conscious elegance of dress and, in the type of stock-role he plays, runs after women, being a well-versed but flighty youth. He speaks with an educated Istanbul accent, pouring out his Arabic and other learned phrases. He is dressed in European style. He wears a pince-nez, he carries a cane and sports patent leather shoes. He wears a clerical style frock-coat, which in cut, hue and the shape of the collar, resembles precisely the -stambouline- , so named from its origin in Istanbul.”

And here is Celebi in his second favorite outfit, the stripey one

Celebi is the puppet who leads my eye to the modern design of the Bauhaus movement, the Eames chairs, and the simple, elegant lines of the Gropius House, in Lincoln, Massachusetts. Celebi likes Mahler symphonies (he kind of drives me nuts with that – I can’t take it) and reads Foucault as if it is going out of style. He is constantly “deconstructing” his surroundings, his thoughts, his neighbor’s thoughts – it goes on and on. He gets rather perserverative at times. He is the puppet who eggs me on when I am in hyper-analytical-academic mode, having a discussion with my ivory tower townies or writing a paper. He pushes me to be smarter, to read more and to write more.

He also, however, pushes me to remember the important things in life – that none of the thinking, reading or writing is good unless you have found true love. He is always reminding me to spend MORE time with M. and to be a better partner. He thinks, M. is also a modern man, and while some might call him a kılıbık when he does “women’s work” (such as laundry or cleaning or some such), Celebi is cheering him on the loudest of all the puppets.

Posted in Introducing the Karagöz puppets, On writing about my life with the Karagöz puppets | Tagged , , , , , | 12 Comments